Jacob Lawrence: Storyteller

This artist captured moments in history on his canvases

Jacob Lawrence, Street Shadows, 1959. Egg tempera on hardboard, 24x30in. Private Collection, New York, NY. Image: The Jacob and Gwendolyn Lawrence Foundation/Art Resource, NY. ©2014 The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York.

What techniques does Lawrence use to create a sense of equality in this street scene?

The great writers and poets of the Harlem Renaissance used words to share the experiences and stories of their people. But can a series of paintings tell a story? Jacob Lawrence thought so. He followed in the traditions of the era, using paint to tell his stories.

Living History

Robert W. Kelley/Time Life Pictures/Getty Images. ©2014 The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society [ARS], New York.

Jacob Lawrence

Jacob Lawrence was born in 1917 in Atlantic City, New Jersey. When he was 13, Jacob’s family moved to Harlem. He took art classes with some of the most important artists of the Harlem Renaissance. These artists taught Jacob more than just artistic techniques—they shared their ideas about using art to celebrate African-Americans.

When he was in his 20s, Lawrence had a big idea. He created a series of 60 paintings depicting scenes from the Great Migration. When viewed together, the paintings told a story. Lawrence’s series was so popular that he became one of the most famous artists of his day.

Life in Harlem

Jacob Lawrence (1917–2000), When It Is Warm the Parks Are Filled With People, 1943. Gouache and pencil on paper, 22 7/16X15 9/16in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Gift of Joseph H. Hirshhorn, 1966. Accession Number: 66.2922. Hirshhorn Museum and Sculpture Garden Collection, African-American Figuration. ©2014 The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York.

How does Lawrence use color to evoke summertime in a park?

During his career, Lawrence created many series—all connected by a common theme. One of his favorite themes was his neighborhood, and many of Lawrence’s paintings capture the vibrancy of Harlem.

In When It Is Warm the Parks Are Filled With People, right, Lawrence shows a relaxing day in a city park. He paints the stylized figures with flat colors. Shown from above, the skewed perspective draws us in. The girl’s raised hand and the bench’s diagonal lines draw our eye to the focal point—the man selling ice cream.

In Street Shadows, at the top of this page, Lawrence depicts people gathered outdoors. On hot summer nights, with no air-conditioning, people’s lives spilled out onto the streets. In the foreground, some gather to watch a checkers game as others in the middle ground lounge on the front stoops of buildings. In the background, bright windows in the buildings illuminate small scenes, such as the barbershop on the left.

There is a sense of equality in this painting. It has no focal point, so none of the figures is any more or less important. Lawrence places us right at street level, so we become a part of the scene.

Jacob Lawrence, The Shoemaker, 1945. Watercolor and gouache on paper, 22 3/4x31in. The Metropolitan Museum of Art. George A. Hearn Fund, 1946. (46.73.2) Image: The Metropolitan Museum of Art/Art Resource, NY. ©2014 The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York.

How does Lawrence use scale to stylize the figure?

Working Hard

Even in this vibrant community, African-Americans struggled. They worked hard to earn enough money to pay the rent. Lawrence created a series of paintings showing people at work, including builders, bakers, and architects. The man in The Shoemaker, above, fills the composition, his shoulder practically touching the ceiling. The figure has angular arms and rectangular fingers. By exaggerating the body’s scale, Lawrence emphasizes the physical nature of the shoemaker’s job.

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